Buskers are the only performers making money at the Edinburgh Fringe. Here's how.

So. You're trudging down the Royal Mile taking it all in. The World's largest festival of the performing arts, and in such a beautiful city, too. Detestably young actors with a dream in their heart and Starbucks in their veins approach from every angle, lunging flyers at you like fencers thrusting a blade. You dodge, parry, apologise and avoid – priding yourself on your fringe street savvy. But then your attention is piqued by a noise. The unmistakable sound of genuine spontaneous fun. Your lizard brain makes you perk up like a meerkat, on the balls of your feet, trying to get a look at what might be occurring ahead. There's a crowd. Could be anything. Could be something. You add yourself to their number, pushing in a little. Someone's doing something. Looks like you missed whatever amazing feat caused the crowd to erupt like that, but lets stick around to see what happens next, right?

Watch multi-talented street performer juggle a drum beat

Fuman Musicoloco performing in Zaragoza, Spain.

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Why the crowd gave Amanda Palmer $1.2m

Glenn Fleishman at The Economist: "Amanda Palmer learned everything she needed to know to raise nearly $1.2m for her latest album as a street performer. Ms Palmer says that six years of busking, often as a living statue called "The Eight-Foot Bride", led her to realise that people willing to toss money in a hat do so according to their means and interest rather than in response to a specific reward." Previously. Read the rest