There's plenty of research that provides evidence to support the idea that multitasking is a fool's bargain: instead of getting two things done at once, you go slower on both, and do worse. But there's more than one kind of multitasking: texting while driving is a terrible idea, but what about juggling multiple projects at once? Read the rest
Anna Abraham literally wrote the book on creativity and the brain. The Leeds Beckett University psychology professor is the author of a new textbook titled The Neuroscience of Creativity. From an interview with Abraham by psychologist Scott Barry Kaufman in Scientific American:
SBK: Why does the myth of the “creative right brain” still persist? Is there any truth at all to this myth?Read the rest
AA: Like most persistent myths, even if some seed of truth was associated with the initial development of the idea, the claim so stated amounts to a lazy generalization and is incorrect. The brain’s right hemisphere is not a separate organ whose workings can be regarded in isolation from that of the left hemisphere in most human beings. It is also incorrect to conclude that the left brain is uncreative. In fact even the earliest scholars who explored the brain lateralization in relation to creativity emphasized the importance of both hemispheres. Indeed this is what was held to be unique about creativity compared to other highly lateralized psychological functions. In an era which saw the uncovering of the dominant involvement of one hemisphere over the other for many functions, and the left hemisphere received preeminent status for its crucial role in complex functions like language, a push against the tide by emphasizing the need to also recognize the importance of the right hemisphere for complex functions like creativity somehow got translated over time into the only ‘creative right brain’ meme. It is the sort of thing that routinely happens when crafting accessible sound bites to convey scientific findings.
Chacalall Orozco is a graphic designer from Mexico. Read the rest
IT'S PERFECT. Read the rest
When Brooklyn-based artist Iris Scott begins a new piece, she doesn't get out paintbrushes. Instead, she simply puts on gloves when she starts on an oil painting. Scott is a fine art finger painter.
This 10-minute long mini documentary on her from a couple of years ago shares how she got started and what she thinks of her "gift." She's quick to point out that it's not a natural talent, that it's the result of a lot of time and practice:
I do not think I was just gifted by any means. I think that I just practiced a lot. The only gift you might say I have is a tremendous interest and willingness to put tons of hours at it. I definitely don't believe people are born with the gift to paint. I know I wasn't. I just practiced a lot starting at a very early age. And anyone can pick up painting at any time of their life and as long as you throw a ton of hours at it, you will improve in ways you just never thought you possibly could. Just watch what happens, go throw 10,000 hours at one subject or one art form and just watch what happens, suddenly everyone will start telling you you are gifted.
Here's a how-to video she made that shows her process a little closer:
Do go check out her site. I was blown away by her work.
Adam Tuminaro gathered clips from his earliest days of drumming to the present, and comments on what he learned at each point. It's a great motivational template for any creative endeavor. Nobody starts out perfect, and staying focused on improving along with putting in the hours will eventually yield rewards. Read the rest
The wonderful Copy Me project (previously) has revealed the first installment in its new three-part series on The Creativity Delusion, which takes aim at the "myth of genius," which picks a small subsection of creators, scientists and entrepreneurs and declares them to be "original" by ignoring all the work they plundered to create their own and erasing all the creators whose shoulders they stand upon. Read the rest