This 1992 behind-the-scenes footage of a Scorpion rotoscoping session from the making of Mortal Kombat could easily be a piece of absurdist Dada performance art. (via Uncrate)
Some models of Russian GAZelle Next commercial vans and trucks have Tetris integrated into the instrument cluster as an Easter egg. Here's the Google translation of the YouTube poster's instructions of how to bring up the game:
1) Turning the ignition on 2) Start a car 3) Three times the right turn signal 4) Two times distant 5) Five times on the clutch 6) raise the speed to 2000 and at that moment we light the arrow to the left
Coming soon for the SNES Classic Edition?
Four video game audio designers explore the psychoacoustics of vintage video games, from the accelerating heartbeat of Space Invaders to the dramatic woosh of Myst's linking books. From Wired:
With only a few channels of audio to play with, early videogame designers had to get very creative if they wanted their sounds to stand out. Pong, created in 1972, took a single tone and made it iconic, while Donkey Kong utilized the limited sounds of a Game Boy to trigger a range of cues and emotions.
As the games got more complex, so did the audio, and the theories behind it. A loop, or short, repeated section of audio, acts as a recurring cue. Dissonant sounds communicate failure, while consonant ones—think of the sympathetic vibrations of Super Mario Bros.—encourage players to continue. The tones can even mimic human sounds—a modulating synthesizer approximates laughter, like the “wawawawawa” in Duck Hunt.
With the classic 1980s Nintendo Entertainment System continuing to rack up extra lives thanks to the retro videogame resurgence, the thirty year-old game Castlevania has been ported to Netflix with a new animated series. Warren Ellis wrote it, which almost guarantees that it will be the best TV program based on a videogame ever, and that includes Hanna-Barbera's Pac-Man.
"It can emulate everything up to and including N64/PS1/Dreamcast, with a built-in wireless XBOX controller receiver for multiplayer parties!, he writes. "It also has a digital tuner inside to watch actual television, using the original knob for channel switching."
I'd love to do this to a JVC Videosphere!
Nintendo programmer Masahiro Sakura coded the Game Boy classic Kirby's Dream Land on a cartridge-based Famicom console and Disk System that lacked a hardware keyboard. According to a recent presentation given by Sakura, "values had to be input using a trackball and an on-screen keyboard."
Sakura, who was 20-years-old at the time, said he just thought that was "the way it was done."
At the time, the development tool that HAL Laboratory was using was the Twin Famicom, a console that combined the Famicom and the Famicom Disk System. A trackball made specifically for the Twin Famicom was used with the machine, which read and wrote data to a floppy disk and uploaded data to the floppy disks [during development].
Essentially, they were using a Famicom to make Famicom games. Sakurai told the crowd, “It’s like using a lunchbox to make lunch”. However, because of that, they were able to create a functional test product before the project plan was even completed.
I decided to support him on Patreon, and as one of the perks of my support, I got to choose a song for him to do a version of. Of course, I chose Final Fantasy, specifically the Bombing Mission theme from Final Fantasy VII. Not only did he do an awesome bluegrass rendition for me, he presented it complete with in-game combat visuals!
Patreon has been a great way to support independent artists across a huge spectrum of genres, and a great way to discover and support musicians, authors, artists, and makers.
In celebration of Zelda: Breath of the Wild, Allen Pan built a wonderful home automation system where the interface is an ocarina as seen in The Legend of Zelda: Ocarina of Time. (Thanks, Lux!)
Frank Cifaldi has a storage locker packed with vintage video game magazines, books, marketing materials, early game drawings and designs, prototypes, and ephemera from birth of the industry to the present. This locker, and his Oakland home, hold the core collection of the nonprofit Video Game History Foundation and Cifaldi's goal is to make it available for the world to enjoy.
The highly-anticipated Nintendo Switch hits stores on Friday. According to today's reviews, it's got a lot of potential, some of which has yet to be realized even days before launch. From DIGG's Review Roundup:
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If there's one area where the Switch excels largely (though not entirely), it's as a portable gaming tablet:
Though Nintendo marketing seems intent on describing the Switch as a home console that it just so happens you can take with you, I've found myself using the system as a portable much more often than on the TV... The system goes from its power-sipping "standby" to "actively playing a game right where I left off" in about three seconds, making it incredibly easy to pick up and put down as needed. I've highlighted the quality of the Switch's 6.2-inch, 720p screen for portable gaming in previous pieces, and the quality display still stands out after just over a week with the system. (Ars Technica)
The controllers are dogged by connectivity issues when not connected to the portable console:
The Joy-Con are a nifty idea, though they don’t always work as well as I would’ve hoped. For starters, I simply haven’t found them very comfortable. I find that the buttons are oddly placed and the thumbsticks feel small and overly flippy... I’ve also run into a frustrating issue where the left Joy-Con momentarily loses tracking and stops responding to my inputs... It appears to be an issue with a body part or other object blocking the Joy-Con’s view of the docked console...
Masaya Nakamura, the founder of Nakamura Amusement Machine Manufacturing Company (Namco) who unleashed Pac-Man fever on Japan and the United States, has died at age 91. Under his leadership, Namco built its business on Galaxian (1979) and Pac-Man (1980) and later console games like Ridge Racer (1983) and Tekken (1994). In 2007, the Japanese government honored Nakamura with an "Order of the Rising Sun" decoration. From Ars Technica:
Nakamura originally founded the company as Nakamura Manufacturing, selling coin-operated children's rides to a department store in Yokohama, Japan. He later changed the name of the company to Nakamura Amusement Machine Manufacturing Company (NAMMCo!) and began producing electromechanical arcade machines like 1976's Namco F-1.
Namco hit the big time when Nakamura shrewdly purchased the struggling Atari Japan from owner Nolan Bushnell for $500,000—far higher than the $80,000 offered by Sega. The deal granted Namco an exclusive license to distribute Atari's games in Japan for ten years and led to the development and release of original games such as Gee Bee and Galaxian.
My 10-year-old son Lux is a retro videogame historian who collects and studies 1980s consoles and games with the gravitas of a PhD student working on his thesis. Last year he acquired Nintendo's NES Zapper gun controller from 1984 that was used to play shooting games like Duck Hunt. (Below, a TV commercial for the NES Deluxe Set including the Zapper and R.O.B. The Robotic Operating Buddy.) Unfortunately, the NES Zapper doesn't work with modern LCD televisions. The video above from "Today I Found Out" explains the clever technology behind the NES Zapper gun. And here's a great text explanation from How-To Geek about why it doesn't work on non-CRT screens, something my son already knew but, of course, wanted the Zapper anyway for, er, display purposes:
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First, it requires extremely precise timing between the trigger pull on the Zapper and the response on the screen. Even the slightest difference (and we’re talking milliseconds here) between the signal sent to the NES and the signal displayed on the screen can throw it off. The original timing sequence was based on the very dependable response time of a CRT hooked up to the analog NES signal. Whether the old tube TV was big, small, cutting edge or 10 years old, the speed of the signal via the CRT display standard was reliable. By contrast, the latency in modern digital sets is not reliable and is not the same as the old consistent delay in the CRT system. Now, this doesn’t matter in most situations.
Directed by Norwood Cheek with animation by Dilara Mundy.