Mark Day of YouTube fame says,
The San Francisco branch of Molly Crabapple's Dr. Sketchy's Anti-Art School recently offered a nerd-tastic Star Wars-themed life class, of which this video covers just a few of the poses shown. There's also a probably-NSFW 'Special Edition' which features less CGI and more pasties.
Dr. Sketchy art salon comes to LA Dr Sketchy life drawing salon in LA on June 21 - Prize winning sketch from Dr. Sketchy's in Los Angeles Dr. Sketchy's Roadshow Dr. Sketchy's Anti-Art School has over 100 branches around the ... Dr. Sketchy's 24-hour life drawing session in Los Angeles, January ... Dr. Sketchy's Anti-Art School one-year anniversary in LA, Sunday ... Read the rest
It seems like no matter where you try to draw the line between animals and people, the animals keep sneaking a paw (or hoof) over. They make tools. They have sex for fun. They commit murder. And, says neuroscientist David Linden, they also like to get high.
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Animals in the wild will also voluntarily and repeatedly consume psychoactive plants and fungi. Birds, elephants, and monkeys have all been reported to enthusiastically seek out fruits and berries that have fallen to the ground and undergone natural fermentation to produce alcohol. In Gabon, which lies in the western equatorial region of Africa, boars, elephants, porcupines, and gorillas have all been reported to consume the intoxicating, hallucinogenic iboga plant (Tabernanthe iboga). There is even some evidence that young elephants learn to eat iboga from observing the actions of their elders in the social group. In the highlands of Ethiopia, goats cut the middleman out of the Starbucks business model by munching wild coffee berries and catching a caffeine buzz.
But do we really know whether these animals like the psychoactive effects of the drug, or are they just willing to put up with them as a side effect of consuming a valuable food source? After all, fermented fruit is a tasty and nutritious meal. While it's hard to dissociate these motivations in animals, many cases suggest that the psychoactive effect is the primary motivator for consumption. Often, only a tiny amount of plant or fungus is consumed, so while its nutritional effect is minuscule its psychoactive effect is large
Perhaps the most dramatic example of nonnutritive animal intoxication is found among domesticated reindeer.
Eli Kintisch covers climate and energy issues for Science, the magazine sibling of the peer-reviewed journal of the same name. He's got an update on the situation at Los Alamos National Laboratory that explains a little more about why officials aren't terribly concerned that the nearby forest fire will affect barrels of nuclear waste stored at the site. Shorter version: There's already a firebreak between the fire and Los Alamos "Area G".
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While the edge of the fire is only a few dozen meters from the edge of the lab's property, it is roughly 13 km from the most sensitive location, the so-called "Area G." That site is a 63-acre storage facility where thousands of drums of nuclear waste sit, many of which are outdoors.
But between the fire and that site is the remnants of a forest that was largely burned during a horrific 2000 fire on lab property. That fire burned "90%" of the flammable material [Note from Maggie: This is referring to wood, grass, etc. NOT nuclear waste.] from the west side of the lab, says Los Alamos retiree Charles Mansfield, who worked as a physicist at the lab for 17 years and also as a forest firefighter, a so-called smokejumper, for 11 years. Mansfield says he's "not very concerned" about the fire reaching spreading east to Area G.
"It would be very difficult for the fire to get that far," he says. Sometimes embers in a hotly burning fire can be lofted as much as 4 miles to start so-called "spot fires." But this requires a forest burning completely, from the ground to the high branches, he says.
The great moral philosopher Jeremy Bentham, founder of utilitarianism, famously said,'The question is not, "Can they reason?" nor, "Can they talk?" but rather, "Can they suffer?" Most people get the point, but they treat human pain as especially worrying because they vaguely think it sort of obvious that a species' ability to suffer must be positively correlated with its intellectual capacity. Plants cannot think, and you'd have to be pretty eccentric to believe they can suffer. Plausibly the same might be true of earthworms. But what about cows?
What about dogs? I find it almost impossible to believe that René Descartes, not known as a monster, carried his philosophical belief that only humans have minds to such a confident extreme that he would blithely spreadeagle a live mammal on a board and dissect it. You'd think that, in spite of his philosophical reasoning, he might have given the animal the benefit of the doubt. But he stood in a long tradition of vivisectionists including Galen and Vesalius, and he was followed by William Harvey and many others (See from which this picture is taken).
How could they bear to do it: tie a struggling, screaming mammal down with ropes and dissect its living heart, for example? Presumably they believed what came to be articulated by Descartes: that non-human animals have no soul and feel no pain.
So all things considered, MySpace has cost Murdoch's empire something like $1.3 billion. Even if my assumptions are way off, the final cost can't be less than $1 billion. That fiasco isn't putting Murdoch out of business: News Corp turned a $2.9 billion dollar profit in the last four quarters and generated $2.2 billion in free cash flow, for example. But it still stings as Murdoch's dreams of an end-to-end interactive media empire falls apart. And his shareholders have been trailing the broader market as well as rivals Viacom and Disney over those five painful years.Doing the math on News Corp.'s disastrous MySpace years Report: MySpace sold for $35 million. Did that include Tila ... Read the rest
In a world in which producing a work and getting it in front of an audience member was hard, the mere fact that a book was being offered for sale to you in a reputable venue was, in and of itself, an important piece of publishing process. When a book reached a store's shelf, or a film reached a cinema's screen, or a show made it into the cable distribution system, you knew that it had been deemed valuable enough to invest with substantial resources, not least a series of legal agreements and indemnifications between various parties in the value chain. The fact that you knew about a creative work was a vote in its favour. The fact that it was available to you was a vote in its favour.Read the rest
Partly, this was the imprimatur of the creator and publisher and distributor and retailer, their reputation for selecting/producing works that you enjoy. But partly it was just the implicit understanding that no company would go to all the bother of putting the work in your path unless it was reasonably certain it would recoup. So "publishing" and "printing" and "distributing" all became loosely synonymous.
After all, it was impossible to imagine that a work might be distributed without being printed, and printing things without distributing them was the exclusive purview of sad "self-publishers" who got conned by "vanity presses" into stumping up for thousands of copies of their memoirs, which would then moulder in their basements forever.