Here's Mark Waid's fitting tribute to Wally Wood's "Twenty-Two Panels That Always Work" -- four panels that don't. Also available as a handsome print, suitable for framing and display near to one's drafting table.
Update: CNN's Jeanne Moos uncovered the even funnier story behind "Double Trainbow," here. And the original it lovingly parodies, by "foamer" and excitable railfan Mark McDonough, is below. His YouTube channel is a thing of beauty.
This anonymously funded movie satirizing the corruption of the copyright system in the USA has been viewed more than 10,000,000 times. The creators, who maintain the website political-prostitution.com, explain that "the U.S. Government is making a major push to enforce its laws abroad with complete disregard for sovereignty of other nations in order to extradite so-called 'criminals' to the US where they will be tried for their 'crimes' in American court."
Ars Technica's Timothy Lee spoke to some of the creators:
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On Wednesday, Ars talked to an individual behind the video. He said he and a friend paid for the video out of their own pockets. They are hoping to "raise awareness" of what they view as America's repressive copyright policies.
The video has three scenes. In the first, the "American Motion Picture Association" announces it has hired "Senator Chris Rodd" (clearly references to the MPAA and its chairman, former Sen. Chris Dodd (D-CT)) to represent Hollywood. In the second scene, police carry out a military-style raid on a London home. The final scene takes place in an "undisclosed location." The kid arrested in London is now in chains, wearing an orange jumpsuit and a hood over his head. The young soldier guarding the prisoner asks an older American in a suit what the suspect did, and looks incredulous when he's told that he's been arrested for copyright infringement.
Obviously, the video is over-the-top. Nothing exactly like the incident depicted has happened in real life. The US government doesn't subject copyright defendants to the same harsh treatment as suspected terrorists.
And you can download it right here, for Mac, Windows, Linux, OS/2, and other open operating systems. About:
Mars24 is a Java application which displays a Mars sunclock, a graphical representation of the planet Mars showing its current sun- and nightsides, along with a numerical readout of the time in 24-hour format. Other displays include a plot showing the relative orbital positions of Mars and Earth and a diagram showing the solar angle and path for a given location on Mars.
Created at NASA's Goddard Institute for Space Studies.
Princeton's alumni magazine has an excellent profile of Douglas Massey, Henry G. Bryant Professor of Sociology and Public Affairs and director of Princeton’s Office of Population Research. Massey studies patterns of US migration, particularly illegal immigration from Mexico. His research is the only rigorous census of Mexican-American illegal immigration flows, and its conclusions are that the US perception of Mexican migration is completely backwards, and that the major immigration problems are the result of bad policy, not changes in volume:
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The MMP’s reports are freely available to anyone through its website, http://mmp.opr.princeton.edu. But statistics can be sterile things. Get Massey going, and one gets an earful about the true state of affairs along the border. To wit:
* We are not being flooded with illegal Mexican migrants. The total number of migrants from Mexico has varied very little since the 1950s. The massive influx many have written about never happened.
* Net illegal migration has stopped almost completely.
* Illegal migration has not stopped because of stricter border enforcement, which Massey characterizes as a waste of money at best and counterproductive at worst.
* There are indeed more undocumented Mexicans living in the United States than there were 20 years ago, but that is because fewer migrants are returning home — not because more are sneaking into the country.
* And the reason that fewer Mexican citizens are returning home is because we have stepped up border enforcement so dramatically.
Mull over that last point for a minute. If Congress had done nothing to secure the border over the last two decades — if it had just left the border alone — there might be as many as 2 million fewer Mexicans living in the United States today, Massey believes.
Thomas Hayden at science blog The Last Word On Nothing has a wonderful little interview with Scott Maxwell (@marsroverdriver), who works at JPL as a Mars rover driver. Coolest job ever, right?
I had the honor and pleasure of meeting Maxwell at JPL a few weeks before Curiosity touched down, when I accompanied Miles O'Brien on a shoot about MSL for PBS NewsHour. Loved him, and I love how he describes what makes his job so exhilarating:
I don’t think I’ll ever forget the first time I drove her. It was just a few meters along a simple path — we wouldn’t even bother to yawn at it today — but it was magic to me then, as it’s magic to me now. I went home and should have slept, but all I could do was stare at the ceiling, in awe that right then, on Mars, there was a robot doing what I told it to do. It was dead amazing, and that feeling has never left me and I hope it never will.
Read the rest here: SCUBA Diving through the Endless Martian Desert : The Last Word On Nothing. Read the rest
Engineers at NASA's Jet Propulsion Laboratory today received and published the first photograph shot by the Navigation cameras on NASA's Curiosity rover.
It shows the shadow of the rover's now-upright mast in the center, and the arm's shadow at left. The arm itself can be seen in the foreground. The navigation camera is used to help find the sun -- information that is needed for locating, and communicating, with Earth. After the camera pointed at the sun, it turned in the opposite direction and took this picture. The position of the shadow helps confirm the sun's location. The "augmented reality" or AR tag seen in the foreground can be used in the future with smart phones to obtain more information about the mission.
You may remember Paul Brigner, the geek who quit his job as CTO of the MPAA to work for its arch-rival net-freedom advocates at the Internet Society, who manage the .ORG top-level domain. He has just filed comments with the White House's IP Czar rubbishing the techniques proposed in SOPA, which contemplated censoring the Internet by tinkering with the domain-name service in the hopes of reducing copyright infringement. At the time that Brigner left the MPAA for ISOC, a lot of us were worried that he'd officially endorsed SOPA and argued in favor of it at Congress. Brigner and ISOC both assured us that he'd had a genuine change of heart, and these comments are the proof in the pudding. As Mike Masnick notes, Brigner was a pretty half-hearted, ineffective SOPA advocate, but he's a rip-snortin', ass-kicking critic of it.
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We are also of the opinion that any enforcement attempts – at both national and international levels – should ensure and not jeopardize the stability, interoperability and efficiency of the Internet, its technologies and underlying platforms. The Internet – a network of networks – is based on an open and distributed architecture. This model should be preserved and should surpass any enforcement efforts. For the Internet Society preserving the original nature of the Internet is particularly significant, especially when enforcement is targeting domain names and the Domain Name System (DNS) in general. There are significant concerns from using the DNS as a channel for intellectual property enforcement and various contributions have been made on this issue by both the Internet Society and the technical community.
We've just published a 4-minute video about John Findra's love of classic cars and his creative expression through affectionately reproducing the rusty beauty of abandoned automobiles through scale models. Findra's under-hauled model cars are the culmination of years of striving for made-man perfection only to find perfection in nature more rewarding.Classic Wrecks: The Rusted Car as Art Read the rest
Kelsey Rowland says:
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This Is My Body is a short film project that is a passionate, full-throated expression of the fundamental, inalienable, universal rights of women. The project is a response to the attacks on women's health and reproductive rights, and general bodily autonomy, that have occurred throughout this year.
What I think gives the film its added touch behind the powerful message is that the director, surprisingly enough, is a male. His name is Jason Stefaniak and is a thesis student in the NYU Grad Film program. His impetus for the project was the desire to see a country and world that respects and empowers women, such as his mother, grandmother, aunts, girlfriend, and sister.
The video was shot in one day in a studio in New York with about 5 crew members and borrowed equipment and was funded through a Facebook fundraising campaign. We've spent no real money on advertising and the entire distribution plan was created and executed by Jason, as well as a few volunteers.