Melissa sez, "Here are some of the best pictures as well as a demonstration video of my custom-made portal gun. I wanted the gun to be as accurate as possible, so I used 3D printed parts that were ripped directly from the game files! After months and months of hard work, I was able to make the gun of my dreams! I took it to Comic-Con, and people loved it! I also met another girl who had the NECA gun, and it's easy to see how some of the details were lost from the game in order to make the NECA gun easier to manufacture."
Awesome Custom-Made NECA Portal Gun
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[Video Link] This Weekend Project from MAKE is really cool: a touchless 3D tracking interface made from foil and cardboard.
Using a combination of low- and high-tech components, we'll show you how to build a completely touchless 3D tracking interface. This project will introduce you to the principle of capacitive sensing, and the Arduino microcontroller.
Complete instructions for this episode of Weekend Projects can be found here
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Last month, I took my daughter into town for lunch, and we ended up at a communal table with a couple of slightly older girls (and their mom) who were geeking out, pasting intricate Japanese "fashion doll" stickers into elaborate albums. Each sticker-sheet came with one or two blank bodies -- mostly girls, though boys and babies also featured -- and several fashion items that could be stuck and layered on top of the characters to play dress-up. Think puffy sticker versions of paper dress-up dolls.
We ended up dropping by the shop in Covent Garden where the kids had scored their booty, and buying a few sets and an album for Poesy. These have since become her most favorite toy. It's a good combination of free-play (since you can get funny effects like putting socks on their ears, etc) and collecting, with all the many different varieties of garments and bodies. There's also a less gendered version of these -- food toys like hamburgers and pizzas that you build up in layers.
These have been sheer kid-crack in our house. On our month-long family trip, they were a sure-fire cure for squirming boredom during the lulls and car-rides. They're cheap enough that we didn't mind the inevitable loss as we dribbled away a hanselgretl trail of puffy, minuscule shoes and socks and tu-tus in hotels across America.
Here's a video with the stickers' creator at a Japanese trade-show, explaining their origin. I'm not sure where to buy them -- ours came from Artbox -- but your local Japantown is a good bet. Read the rest
On our recent summer family holiday, I stopped in at The California Academy of Sciences, a beautiful science museum and research facility in San Francisco. In the gift shop, I grabbed a MetalWorks laser-cut trolley-car kit. MetalWorks are 11cm square sheets of tin, laser-cut and laser-etched to come apart into pieces ready to assemble into models of famous buildings, iconic vehicles, and other landmarks. I cleverly threw away the packaging (including the instructions) when we packed for home, but as I just discovered when I sat down to assemble the model, the company is smart enough to post PDFs of their instruction sheets. The model was just the right amount of challenging for me -- the kind of thing I could do in 20 minutes with a pair of tweezers while carrying on a pleasant conversation, and the finished product is a pretty cool-looking model indeed.
There are more than 30 different models on the company's website, of which a mere three can be had on Amazon. Correction: Here are 25 more -- thanks to Jeff in the comments!
Metal Works by Fascinations Unique Toys & Gifts
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Newly released WikiLeaks publications from the Stratfor leak reveal much about Trapwire, a multi-country surveillance network run by a private US company, Abraxas, led by ex-CIA operatives. The network operates in NYC subways, the London Stock Exchange, Las Vegas casinos, and more. It uses real-time video facial profiling and is linked to red-flag databases.
Here is a US GOV pdf diagramming its workings. Here is an RT article on the subject.
The WikiLeaks publications related to Trapwire are difficult to access now because WikiLeaks.org and many of its mirrors are under heavy DDOS attack. (Good time to donate!) However you can see the publications here via Tor.
Australian activist @Asher_Wolf is organizing a nonviolent campaign against Trapwire, including an effort to spam the network with creative false positives.
TrapWire: International Surveillance Coordination Network
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[Video Link: "A Long, Drawn Out Trip"]
Last night I watched (and greatly enjoyed) the Pink Floyd "The Story of Wish You Were Here" documentary Richard Metzger turned me on to last week (buy it here, and my earlier post about that documentary is here).
I ended up going down one of those internet-rabbit holes where you search and watch a bunch of related stuff online. Among the rabbit-holes I fell down: the story of how the band hooked up with the now-legendary illustrator and caricaturist Gerald Scarfe. He and the band later teamed up on "The Wall," and Scarfe's visual style is now a kind of icon of that era of Big Rock and Roll. I am not a big fan of the later, big budget, grand spectacle school of rock music visuals for which they became known, but I am fascinated by the earlier material.
UK native Scarfe created "A Long, Drawn Out Trip" in 1971 after traveling to the US. As the story goes, Roger Waters and David Gilmour saw the 18-minute short when it was aired on the BBC in 1973 (only once in its entirety! remember, this is before YouTube!), and said, "That's the stuff!" The stream-of-consciousness short pokes fun at symbols of American culture. In one sequence, Mickey Mouse gets high and morphs from the Disney character we all know, to a stoned-out hippie.
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The UN's World Intellectual Property Organization's Broadcasting Treaty is back. This is the treaty that EFF and its colleagues killed five years ago, but Big Content won't let it die. Under the treaty, broadcasters would have rights over the material they transmitted, separate from copyright, meaning that if you recorded something from TV, the Internet, cable or satellite, you'd need to get permission from the creator and the broadcaster to re-use it. And unlike copyright, the "broadcast right" doesn't expire, so even video that is in the public domain can't be used without permission from the broadcaster who contributed the immense creativity inherent in, you know, pressing the "play" button. Likewise, broadcast rights will have different fair use/fair dealing rules from copyright -- nations get to choose whether their broadcast rights will have any fair dealing at all. That means that even if you want to reuse video in a way that's protected by fair use (such as parody, quotation, commentary or education), the broadcast right version of fair use might prohibit it.
Worst of all: There's no evidence that this is needed. No serious scholarship of any kind has established that creating another layer of property-like rights will add one cent to any country's GDP. Indeed, given that this would make sites like Vimeo and YouTube legally impossible, it would certainly subtract a great deal from nations' GDP -- as well as stifling untold amounts of speech and creativity, by turning broadcasters into rent-seeking gatekeepers who get to charge tax on videos they didn't create and whose copyright they don't hold. Read the rest
A Redditor called Jaycrew posted this photo from the erection of a cellular tower disguised as a cactus in Arizona.
How to hide a cell phone tower in Arizona (i.imgur.com)
(via Super Punch)
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