The Man Who Laughs is a graphic novel adaptation of a 1869 Victor Hugo novel that is chiefly remembered for inspiring a 1928 film whose poster-art, in turn, inspired the character of the Joker.
As legions of disappointed Batman fans have discovered, the Victor Hugo novel is just not very good. It's one of Hugo's later works, written from exile in the Channel Islands, and it's a meandering political treatise grafted onto a novel. But there is a novel in there, buried amongst the self-indulgence and sloppiness, and it's this that author David Hine and illustrator Mark Stafford have teased out to make an absolutely stunning and grotesque new work.
The titular Man of Laughs is Gwynplaine, a horribly deformed boy who rescues a blind baby from her frozen mother's breast and then rescued by a traveling doctor who takes them both in and turns them into performers. They tour the countryside, and Gwynplaine and his blind adopted sister Dea fall in love, even as their mountebank father, Ursus, teaches them about the injustices of the English monarchy and shows them the relationship between the dire poverty around them and the fatted lords and ladies in London.
Gwynplaine's destiny becomes further entangled with the English aristocracy when he is discovered to be a long-lost nobleman himself, and is inducted into the House of Lords, where he makes impassioned, revolutionary speeches that fall on deaf ears -- and is forced to confront that all the riches he's gained have cost him his family and his love.
This adaptation is remarkably streamlined and razor-sharp, flensed of Hugo's excess by Hine's pen; the accompanying grotesque illustrations by Stafford hit the perfect of horror and sorrow. The Man Who Laughs is out in the UK now, from the great press Self Made Hero, and will be out in the USA on Oct 1.
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Ben Marks, our pal at Collectors Weekly, says, "We just published an article on Zoe Mozert, Pearl Frush, and Joyce Ballantyne, who created some of the most memorable pin-up art in the 1940 and '50s. While most people today associate pin-up art with male artists like Alberto Vargas, George Petty, and Gil Elvgren, the contributions of these women are every bit as important, and their work every bit as good. For her article, associate editor Lisa Hix interviewed a number of authorities on pin-up art, from art dealer and author Louis K. Meisel to Marianne Ohl Phillips, who got to know both Mozert and Ballantyne before they died.